Billboard Global Excl US Top 20 Ranking (Winter 2025) : ROSE, Rauw Alejandro, Kendrick Lamar, Gracie Abrams

 I'm still currently making my best list and I don't know if I can finish it in January, so I'm just gonna make a quick Top 20 Ranking using the week before Bad Bunny gate-crashed the chart with Debi Tirar Mas Fotos (no I'm not gonna use the lettering) which are filled with songs that are lightweight and easy to talk to I guess. So let's just get on with it.

20. Who by Jimin

Yup still the worst song from this list but it did get some stiff competition. I don't know man this song has shrunk on me and that's in part thanks to Jimin vocal like holy shit. It's still like 1/5 which goes to show how strong the chart still is, but there are some other meh songs that will be here and I think one of them isn't the Gracie Abrams one but that's for the other places here.

19. Blue by Yung Kai 

You know when I was at my writing rut back in like 2021-23 I have so many ideas on what I should make for this blog or even a YouTube channel. One of those ideas are ranking the Indonesian Spotify chart. So I tried listen to most of the songs from the chart but I legit got bored. I'm so sorry but this is why I don't really listen to most Indonesian songs. While it's very tasteful...maybe too tasteful, the sound of the songs are very much pleasant to the point of no edge and I honestly don't want to listen to that. That's why I am also don't like this song as well. This song is quaint and all but when that guitar entered in I was like done. Like no ill will to him but this song is just not for me. Sorry.

18. It's the beginning of the year and the Christmas glutton are out in favor of the real hits. So what did we get this time around? Well BRAZIL CARALHO!!!

18. Ultima Noite by Leo Foguete

So from the previous rankings and posts I've always say that because there's no US presence in this chart, I can talk about songs from other countries that fill in the gaps for more American centric songs. Welp 2024 might be a great year but it was one of the few times where I'm kinda bummed that the global audience have shared interest with American popular music scene. Well at least for this week we have a lot of songs that aren't from America and I really can't wait to talk about it here. Now this is probably the "worst" one but it's only like 4/10 because I'm not familiar with this genre as a whole. It's called forro and it's a genre that came from farms and plantation all over Northeast Brazil. That's like the basic of the genre and yes I'm not Brazilian but I do appreciate that this type of songs could become big enough in Brazil alone to be charting high enough for me to talk about even though it didn't gripped me as much.

17. Toxic Till The End by Rose

Spare a thought for Lisa because she really tried so hard to breakthrough the US market or just the western market as a whole and yet her bandmate Rose beat her to it, now we will talk more about that juggernaut later but we will talk about the less interesting singles from her and yeah it exist. I'm sorry but these type of monogenre pop song is just something I really have no patient for except if it's well written and this break up song is literally written like a Halsey song circa Manic and not a good one. It's probably the most middle of the road song of this list and even more middling than the big Gracie Abrams song.

16. That's So True by Gracie Abrams

Honestly the only reason why this song didn't scored lower on the list is because of the productions which I would say is very immaculate. I love the drum fill in the bridge and this is probably the most energetic performance that she ever gave. Everything else about this song is just very stagnant I'd say. The guitar is kinda too plucky, her performance is beyond basic and kinda annoying, and the lyrics are full of these self agrandizing winging that would get you laughed at slam poetry competition. Look I believe that even if you are a nepo baby and have a lot of connections you can still make good songs, but I don't know I'm just not impressed with her as the supposed heir for Taylor Swift. 

15. Que Pasaria by Rauw Alejandro ft. Bad Bunny

It's kinda amusing that both Rauw Alejandron songs made this ranking considering what's about to come by the guy featured in this song. Anyways it's just your average reggaeton hook up jam with probably the most atmospheric sound I've heard. I think latin music is gonna have a good 2025 with things are going and thank god because I want anything to detox myself from Morgan Wallen.

14. Rosones by Tito Double P

One thing that's interesting about this pretty decent corridos tumbados song is that apparently there's two songs with the same title. This one and the one from Fuerza Regida and honestly I am not well verse in this and most of the infos are in Spanish so clearly I need to dust up duolingo for this one. Oh by the way speaking of Fuerza Regida.

13. Tu Boda by Oscar Maydon ft. Fuerza Regida

Yeah I quite like this song. What I love about this song is how subdue this sound, Which is perfect for the subject matter which is just Marry Me by Thomas Rhett but kinda more juvenile. But hey I think there are place for these type of songs especially with the emotional motives of "yeah I'm an idiot that think you're the devil for not with me but hey good luck with the marriage". Also this song has probably the most expensive productions for this genre since it's very clean and smooth and definitely not rugged. 

12. Ma Meilleure Ennemie by Stromae ft. Pomme

I wish I can like this song more than I do because the fact that Stromae got his first entry on Hot 100 should be celebrated. One problem is that it tied in with Arcane the show that I haven't finished yet oops. Anyways I do think this song is decent but the fact that I almost missed this song to be ranked tells you a lot to be honest.

11. Die With A Smile by Bruno Mars & Lady Gaga

Yeah overplay kinda killed this song for me. Don't get me wrong all of the songs from here and out are good to great, but yeah this has got slightly worse for me. Mainly because this song could've been better. It really missed more soaring guitar solo and an outro to make it sound like those yacth rock from Steely Dan or something like that. But hey I still like this song and I really can't wait to see what other genre Bruno will d- wait he's doing a sex jam with Sexyy Red called Fat Juicy and Wet? Interesting.

10. Khe? by Rauw Alejandro ft. Romeo Santos

I feel like with the rise of regional mexican and the success of Bad Bunny, more latin artists who usually make reggaeton songs are trying to make songs from other genres or mixing their sound palette to fit within reggaeton. And this is a prime example of that. This song while have the basis of reggaeton with the percussion pattern, have some clear influence in RnB and bachata especially with the sandy sound of percussion, the jazzy saxophone, the liquid guitar, and hints of piano. While I need to hear more of it to grow on me, I can say that this song is good and probably the best thing Rauw Alejandro has released since Todo De Ti.

9. HOME SWEET HOME by G-Dragon, Taeyang, & Daesung

This is basically Bigbang reunion but without T.O.P (because of Squid Game 2 probably) and he who shall not be named. But yeah discount those two this sounded like what Bigbang would've made if y'know that, and this one has more of a pop rock production which I will appreciate. I think I'm just glad that G-Dragon is doing well especially what happened at the end of 2010s and yeah that will take a toll on you. Honestly this song is still good but I still wish it was more y'know. Ahh well let's move on to a Brazilian funk song then.

8. Oh Garota Eu Quero Você Só Pra Mim by Dj Lc da Roça, MC K9, mc pl alves, Mc Rodrigo do CN, MC Tuto, Oruam, Zé Felipe

Yeah finally we are talking about Brazilian Funk aka one of the few genres that I can't really critique because whenever I'm trying to my brain will turned to mush. You have one of those genres that you just listen to it to turn your brain off after a long day and for some reason Brazilian Funk worked for me. I think what made this song worked for me is that underlying synth lingering between these blocky and metallic productions that you know and love from the genre. Trust me Brazilian Funk can be wild with their drop and this one is tamer than most. Definitely try to listen to Brazilian Funk sometimes but please don't listen to the Phonk version I think y'all be losing your mind because of that.

7. Timeless by The Weeknd ft. Playboi Carti

I'm currently writing this after The Weeknd's "last album" under this nickname released and honestly in context of the album, it just gotten better. It really fit the dark and brooding atmosphere of what essentially The Weeknd persona dying and repeating the cycle again, basically an ouroborus. Though even with that I do think that this is probably the most languid The Weeknd has sounded. I'm actually surprised at how catchy this song is (thanks to Pharrell). That synth line will always stuck in my head for so long. I'm also surprised Playboi Carti also being good in this. He mixed his voice so well in this song it's probably his best performance post Fein. There are other singles that I do think is better but none can be very distinct and yet evoke so much of his mixtape days than this one.

6. APT. by ROSE ft. Bruno Mars

So a lot of people hate this song and I get it. Honestly I really love the tiktok about children loving this song at the expense of their parents and all of them are hilarious. For me I just love these kinds of campy, catchy to the point of annoyance, and novel songs that usually part of the early 80s new wave and pop lexicon and this is definitely a close approximation. Another thing I love about this song is how Rose inserted something about Korean lifestyle that I don't know of, I'm of course talking about the Korean drinking game. It's something that I really love about covering this chart in general. Learning about other cultures and genres of popular music from other countries are always gonna be great for the gnoggin if you know you know. But yeah this was a fun one and I'm glad that this became probably the biggest song right now.

5. Taste by Sabrina Carpenter

Yeah this one is still great and I really love how funny this song can be while also be very heavy as well. What this reminded me of is definitely Kelly Clarkson mixed with P!nk humor which could get really jarring, but Sabrina blends them well. This song can be very insufferable real quick but she did a one trick that I love, which is a proper setup. This song is basically Sabrina telling the new girlfriend from her ex that everything he said and and done for the new girlfriend is basically from her. This could've been insufferable where you nagging on your ex to comeback to them like say "Thinkin Bout Me" by Morgan Wallen or anything from Drake for the past decade. But, her humor and lack of seriousness from Sabrina really diffused that and making this song very tongue and cheek and lowkey kinda gay? Like I can see some people say that this is heteronormative as hell and yeah I could see that, but also I can see the greatness of this song so yeah.

4. Messy by Lola Young

Every year ther has to be one artist from UK that doing blues rock or rnb or something like that to be big in America at one point. I thought that 2024 won't have that even when the pop music scenes were this diverse and good, but at the end of the year we got one with Messy and yeah it sounds like Gen Z Adele. But, Adele is good at making relationship drama songs and this one is great. I love how the production didn't shy away from going rougher especially with the guitar solo in the bridge and that really worked well with the content of the song. Now from what I read about the song it's about someone with ADHD in a relationship that's not working. And yeah you can hear it from all the contradictory things she said. But that's really how a lot of people with neurodivergency operate as someone who might be on the spectrum (pending). Yes we have done things that we said we are not, that doesn't mean that we are less valid with our emotions. I'm glad that this became a hit because we need songs like this to chart just because of its importance for the neurodivergent community.

3. Whiplash by aespa

Aespa really surprised my last year with Supernova, spoiler it will appeared on my best list so fair warned here. They're probably one of the few KPop band in general that really want to delved deep and focused on dance music especially with the hyperpop style produced Supernova. Now this song isn't better than Supernova but it continued the trend for this group in general. It's sleek and modern but also very elegant as well. I love how this song really blends house and parts of hyperpop very well especially with the clanking buzzing synth and also the progression or the structure of the song can be very wonky but it's perfect for this. It's just a good dance song to play at your next ballroom dance session and I love that.

2. Sailor Song by Gigi Perez

Again got a lot to say about this song on my best list so I'll just give you one observation about this song and popular music in general. What I like about pop music is always going against the grain and nothing could be a great example of this than in 2024. 2023 was such a miserable year to talk about music because a lot of it (at least in America) are actually going with the grain or at least giving to the status quo. Sure that Jason Aldean song was shocking but is it shocking now that Trump is the president? I don't think so. It's just a continuation and a culmination of everything that happened in conservative music space. 2024 on the other hand seems to be the fuck you we needed to the status quo. We got rap beefs that was lost by established artists that overstayed their welcome, Another country song with hip-hop elements became the longest staying #1 song tied with Old Town Road, and most delightfully of all queer people taking over the chart in a year so hostile for them. And it's really cool to hear this song about basically lesbian yearning and loving just became out of nowhere TikTok smash hit. The possibilities are endless here.

1. Luther by Kendrick Lamar ft. SZA

Currently writing this days before Super Bowl so I still don't know what the setlist gonna be containing (though I heard Not Like Us was given the go). But, if there's no showing of Luther in the show when you have SZA that would be a bummer because this song is fantastic. I will not saying much about this song y'know see myself at the end of the year, But it's fantastic to see these two collaborating because that also broke Drake's arguments about SZA in general and Kendrick Lamar making pop stuff. This is definitely the most accessible Kendrick song even with a Luther Vandross samples. But that's really its strength because of the languid and lush productions. SZA here being the heart of the song also works because this is what SZA is good at and also another stab at Drake. At the end of the day...it's night, but also how the song and the album as a whole are celebrations of black culture and black music (specifically west coast). I can't wait to talk about this song more at the end of the year.

Now let's recommend some songs that just missed the cut that do deserve some recognitions.

HM. 1: Otonoke by Creepy Nuts 

Creepy Nuts back again with another banger anime opening this time it's for Dandadan, an romance anime about two conspiracy theorists falling in love while also doing supernatural and alien shit that became real for them. It's a bonkers anime with bonkers opening sampling ragtime 1915 recordings from Billy Murray. Why haven't rappers sampled a lot of free domain songs.

HM. 2: El Lokeron by Tito Double P

Another song that really tickled my brain that I know is kinda shit. But that production is very dense that it became very fun.

HM. 3: Mantra by Jennie

This song is a ton of fun and definitely feeding the 2000s throwback with the Neptunes style production. She's also fierce too and there are a lot of quotable lines here.

HM. 4: TV Off by Kendrick Lamar

MUSTAAAAAAAAAAAAAAAAAAAAAAAAAAAARD

HM. 5: Sao Paulo by The Weeknd ft. Anitta

Out of all the singles from The Weeknd's Hurry Up Tomorrow. this one is probably the best one and yes it's because of the Brazilian funk influence. But also this song was one of the turning points of the album where The Weeknd did a concert in Sao Paulo and he felt really alone and that sadness juxtapose with the Brazilian Funk production is really potent. 

That's all from me. Thank you all from reading and see you all probably at my best list or another 

Top 10 Worst Hit Songs of 2024

2024 will go down in history as one of the best year of all time...for pop music. Okay that's probably an exaggeration, but it is true that this year has been extraordinarily great for popular music. A lot of things that was bad about 2023; the abundance of lazy samplings, ragebait songs that supposed to make you mad, the absence of hip-hop, and the aura of unpleasantness that peppered the year 2023 all of them are somewhat gone. The fact that this year started out with a rap beef and it ended with a continuation of the biggest rap beef since the 90s. The comeback of pop music in a big way that's very snatched and girlynation while also having a great queer undercurrent, hip-hop having a great year and all that, and even country have its own redemption with some marginalized community hitting their strides. But, it's not all pretty and early 2024 before HISS came out things were continuing from 2023 by being rough and just nothing going on. Latin music especially having a very off year even in the regional Mexican scenes. K-Pop having the sort of year that if you look at it a bit deeper really shocked you. And dance/EDM...is just turned to dust following such a great year for the genre. All I'm trying to say that I am not surprised that one of the biggest dance hits of the year were folktronica crossover.

I actually trying to make like the sort of guide on how to make bad music for my worst list last year but I decided to make the post private because well the format really screwing up the format, but also this year I feel like the worst music coming out this year were all over the place. A lot of them were leftovers from 2023 but also some of these songs are baffling as to how and why it became a hit. One theme that I can get from these mess is comical. Most of these songs were very comical in how bad they are and even though some of them were grating on my nerves and even damaging towards society as a whole, the fact that these became a hit really is baffling. Now seems like one thing that didn't change is Billboard keep sticking with their year end tracking ending mid October. But, I think I'm just gonna go with Billboard Hot 100 Year-End list plus the Global Excl US Year-end as well. I'm also adding songs that have 100+ million streams that came out this year (thank you Allison for compiling these songs in a playlist linked here).  Now without further ado here are 

 

TOP 10 WORST HIT SONGS OF 2024

 

10. I feel like for most people especially in my circle that this will be their worst hit songs of 2024. I don't blame them to be honest because this song being at #1 is probably the first indication that we were in for a very awful 2024. And I also understand that these sort of "art" can be very damaging for people especially if it's getting normalized in the society. Ultimately this song has since become forgotten after it was being used as a TikTok meme and people realized that yes Carnival and Vultures as a whole were ass.

 

10. Carnival by Ye & Ty Dolla Sign ft. Rich The Kid & Playboi Carti

It's funny how a lot of Kanye stans that still holding onto their savior that is Kanye West now known as Ye that when critics on YouTube are basically not reviewing the album, they're basically threw a hissy fit and basically acting like those people who doesn't like Carnival or Vultures were woke leftists getting triggered by Kanye. Even though boycotting Kanye's new material after his heel turn towards fascism and antisemitism in 2022 is a valid act to do because let's be real, I think me putting this song at #10 at all is still cheapened the fact that this song was born out of pure hatred for women, marginalized people, and your intelligent. The fact that people are now calling this song and the album mid overall showed that hate will always make bad art and yep Carnival is a bad song.

What this song reminded me of the most is that XXXTentacion remix of True Love by Kanye West in how slimy the circumstances of how the song was made. Carnival was made because Kanye wanted to make a song after he went to one Serie A match (A top flight of Italian football) and he invited a supporter group known as ultras to the recording booth. Here's a major problem though, the ultras he invited was the Inter Milan ultras known to be very right wing and have alliance with far right Lazio supporters. Beyond that baby first soccer chants, this song just straight up bloated especially with the synth that sounds dying. Rich the Kid just nonexistent in this song so does Ty Dolla Sign. Kanye just a husk of himself trying to be edgy and Playboi Carti has the best verse but also way too long. In the end though after what happened since this hit #1, this song became very much irrelevant as people woken up to the fact that this song and Vultures are hot garbage. And for the better of the world we should not even award these fascist the spotlight of being the worst because it's very much legitimized the standing of fascism especially this time. Let's just learned from this moment and move on to better ground.

 

9. One of the biggest thing that happened in popular music this year is the rap beef between Kendrick Lamar and Drake.  It's one of the best thing that happened to popular music this decade and Kendrick deconstructed about what makes Drake to be awful human being and also as an artist. Now we will get to what Kendrick has said in the best list, but what I wanna to highlight about Kendrick's diss about Drake is the fact that Drake are using black culture or music tied to black people like a colonizer, taking advantage of any new thing in hip-hop and even in Latin American music and using it for clout. When Kendrick called out Drake for this I was like...YES THANK YOU!

 

9. IDGAF by Drake ft. Yeat

 

Rage music is definitely one of the subgenres of hip-hop...Yeah I'm sorry I tried to get into the genre and while some of the songs were great, a lot of times I just think that the genre didn't suited my taste when it comes to rap productions. I do love some Yeat songs that came out this year, some Playboi Carti stuff is good, but I have never been impressed by Ken Carson. So when I heard that Drake wanna work with Yeat, I knew that it would spell disaster. 

Drake has been known to take a new artist or a new sound and driven them into mush glob that the radio eats up. He's been doing this ever since Hotline Bling where he took a lot of tropical house sounds and make it very unremarkable. Since then he has hopped on SoundCloud rap by stealing flows from XXXTENTACION, bounce music that made a resurgence in 2017-18, Memphis rap with the success of phonk, and now Rage with Yeat. And yeah it's just as phoned in as you can get with a Drake song. I'm so glad that Kendrick came in this year and just rip him apart like your average Mortal Kombat fatalities because I really can't endured any more of his nonsense taking subgenres out of his ass to make him "interesting". I don't know how Drake could come back from this but from all I know, I would not give a fuck about what he's doing anymore.

8. What makes 2023 so dull and so uninteresting for the pop chart is how they're continuing the blatant lazy sampling trend of 2022. I'm glad that 2024 seems to be the year that we left that trend behind. Which made songs that still doing that very jarring to hear on the hit parade...like this one.

8. Everybody by Nicki Minaj ft. Lil Uzi Vert

You know I have never been bothered by the sampling trend for the last two years. I'm Good (Blue) is probably my guilty pleasure of 2022, I only thought that most of the songs that using this trend is just middle of the road and were there for either making TikTok hits or just radio fodder. But this year with a lot of great music coming out and become hits with new original ideas or reinventing ideas, this song is inexcusable. Jersey club has been another trend that I'm looking forward to seeing but this is definitely one of the worst songs from the genre's peak. Yeah there's an emotionality from the song that this one sampled because Move Your Feet by Junior Senior is probably one of my favorite songs from my childhood. And the fact that the song was chopped up and mixed it badly on this standard Jersey Club beat has been on my nerves. Now I really get why people are hating this trend because when your favorite songs being shit on like this it does rub you the wrong way. Speaking of which Nicki Minaj sounds checked out in this one and this might be one of the signs that she will have a bad 2024. The same kind of dejected disinterest that bleeded into the worst song of 2024 Bigfoot. Oh and also Lil Uzi is here...get well soon from whatever drugs you're on because geez Eternal Atake 2.

7. 2024 was a great year for women making music in general. In pop music we have Sabrina, Chappell, Charli, and more making banger after banger that we will talk about soon. In hip-hop there's no shortage of great female MC that created a name for themselves or proving that you're untouchable like Cardi B, Megan Thee Stallion, and GloRilla. Even in rock there are some acts that dropped bangers or even just rising in popularity (a lot of them are queer too). Really the only genre that women don't really dominate this year was country with the continuation of Morgan Wallen and Jelly Roll reign of terror (we'll come back to them soon). Like the fact that the newest act that came out of the country scene that is a woman is this?

7. High Road by Koe Wetzel ft. Jessie Murph

You can't convinced me that Jessie Murph isn't the worst newcomer of the year. Even Gracie Abrams have more chops and writing dexterity than Jessie will ever be. I don't believe in the concept of industry plant because like every artists who want to be famous have to sign the contract for big music label and you have to have like marketing and PR person to help you market your song etc. It's a long process that artists have to go through if they want to sell in the industry at large and also to be marginally successful. Some artists don't wanna do that and that's fine but that's really the norm here. I think being industry plant is more of an aesthetic and how that artists became popular to begin with. Let's bring back to Gracie a little bit because yeah she's a nepo baby and also have the backing of Taylor Swift bringing her to her tour and writing with her. Does that mean she's an industry plant? Maybe. But at the very least I understand her appeal right away. I don't get the appeal of Jessie Murph.

Jessie Murph always bring this air of inauthenticity with every songs she was in and there's gonna be one more here spoiler alert. She took 2017 Halsey who have this air of melodramatic winging mixing with the same flavorless crossover trap country of Sam Hunt, both artists that made 2017 listening such a headache. And sometimes that inauthentic stench bringing out the worst of the artists she's collaborated with. Koe Wetzel is actually a decent up and coming country singer but here, even though this is his song, Jessie Murph overpowered her by bringing the same energy as your average reality show crashout. It's kinda shocking how unpleasant this song really is even though it's titled High Road like isn't this supposed to be a song about parting ways? Oh by the way the productions here didn't helped. If I want songs like this I'd rather it being from the veterans because this is amateur hour.

6. While we are on the topic of amateur hour...

6. Lies Lies Lies by Morgan Wallen

Look I don't put anyone on here purely based on their political beliefs and how damaging they are or something that they did in the past that might affected how the lyrics are being perceived today. If that's the case then I would easily put Carnival at #1 because it just perpetuate the idea that if you are doubling down on your rhetoric even if that rhetoric is backwards and even antisemitic, you are still gonna be rewarded with capital and a big one at that. It really is the early warning call that our society is sliding backwards into fascism and the masses are comfortable with that as long as they can put food on the table. I only put songs on the list and in this order because of my own opinion and as damaging as Carnival was, at the end of the year people realized that Vultures as a whole sucks so bad. My main argument here is that yes politics does count about my calculation for determining how this song is placed in my ranking (Stay tuned for my best list for prime examples of that). 

Now why did I type you all that for a standalone singles from Morgan Wallen here you ask? Well I just wanna talk about stuff that isn't this song because holy shit this is the most boring bad song of the year. You know that there's always one song in every year that was big on the radio that you think it's just boring and white noise material. But, the more you listen to the song, the more you realized that you actually really hate this song because the concept of death by boredom. And this song is a prime example of death by boredom. The only unique thing about the song is Morgan sang the song in Bruno Mars cadence in the beginning of the first verse. Beside that, a song talking down on women especially your ex and telling her for no reason that she's a liar, a country productions that's very stiff and mechanical that you swear that this song wasn't just mixture of presets, and a general sense of douchebag attitude. This is just what you get from Morgan Wallen these days and I'm just sick for him doing this again and again. At least Love Somebody have the novelty of interpolating EDM hits from late 2010s, This is just pathetic.

 

5. Like I said in the beginning 2024 was a quiet year for EDM music. The only big thing that came out of that genre is probably Brat and I would argue it's a mix of genres cornucopia that really is just its own thing. Other than that, things are very slow if you aren't in the know of course. I'm only seeing what's going on with the chart and when I saw someone made a dance remix of a cover song made by a nu-metal band...yeah it deserved its spot alone because of that.

5. The Sound of Silence (Remix) by Disturbed (remixed by Cyril)

I mean just listened to this song one time and you can already see how this is a bad idea. First off I do have a confession to make. I actually kinda love the Disturbed cover. The Sound of Silence is a classic for its surreal imagery and haunting harmonies that cut through the acoustic guitar on the original and just a great song that captured the mania that happened after JFK assassination. The Disturbed cover meanwhile took it in more gothic and primal way while also giving a more general broad stroke of anger and fury. Sure it's very goofy especially coming out of David Draiman a noted conservatives, but there's something to it that tickle my senses especially that last chorus with the guitar hmm so good.

Now take all of that shit out the window by probably one of the worst up and coming DJ in the pop chart and make it into a mush. Let's compared this song actually with another song that became a bigger hit because of a remix, Goosebumps remix HVME. Yeah both of these songs were lifted vocally and badly at that. But the Goosebumps remix at least trying to get the atmosphere of the song and put lithuanian bass with Travis Scott vocal. This meanwhile is just a low rent remix that sounded so basic especially the percussion. The clash of tone is the reason why it's on the list and with the fact that people want more slop that quality.

4. While 2024 has been great for pop girlies out there, it has been a brutal year for pop boys here. The old established acts are either floundering or on hiatus while the new star seems to can't take a foot hold in the popular music world. Even the most successful ones are still not the sort of artists we expect like Justin Bieber or Justin Timberlake. Well there's also the third reason why male pop singers are having hard time today, they just sucks a lot.

4. Beautiful Things by Benson Boone 

It's interesting how Benson Boone got the biggest song in the world for Beautiful Things but not a single Grammy nods for the song itself. The reason why is because this song is probably the most blatant critic bait that I've heard in a while. The sudden tempo changes, weird key progression and chords, the fact that there's a rock guitar back, and also some vocals performance that can be "impressive". It's easy to see that this could get at least pop song category. So why this didn't happened? Well maybe because the productions here is terrible. The first part okay it's competently produced though that vocal melody is reminiscent of Colder Weather by Zac Brown Band so big hurdle to jump there. But that switch up is just badly mixed. His vocal is actively peaking while drowning out an already forgettable pop rock sound. Honestly I feel like I was being screamed on as a prank during my sleep.

It's bad enough that the productions here is terrible but to clinched this spot on the list, you have to be very insufferable and the lyrics are certainly is. I'm so sick of these zoomers talking about love with the framing of god and how everything that he has god made them. Borderline Christian music if that said Christian music is made by someone who's horny enough to might get to the second base. It's not really romantic really more like privilege and y'know he's white, that can get some weird implications that I don't wanna get into or else Hasanabi will call me woke of the day. Look you can make songs comparing your love and frustration to something more divine, but to make that work you have to got some underlying narrative or heck even if it's straightforward you can add some angst to it. This is just as plain white bread as you can get and yeah it's making listening to this song quite a chore. While we are on the topic of chore.

3. This is probably the worst song of the year based on the vibe. I know that there are worse songs, like two more. But, this song is just the one that made you feel icky and gross after you listened to it. Sure I have probably 50% context of why this song was made, but that really doesn't changed the fact that The Weeknd made one of the worst songs of the year and that's really disappointed to see.

3. One of the Girls by The Weeknd ft. Lily-Rose Depp & JEANNIE

I haven't seen The Idol yet. From what I heard this series is basically baby first exploitation shows and there are better and more thorough shows and films that tackled the entertainment industry and how exploitative that is. But what I can say is that I really don't get the hype for these type of shows like Euphoria and The Idols that have the same director. These drama shows are now trying for shock and making those as like commentary about the society™®©. Everything has to be either muted in color or just very dingy because of realness. This is why I still don't watch any modern western TV shows because of that barrier for me. And nothing has quite giving me that feeling of ick that represent this genre than One of the Girls.

This song made for The Idol was sung by the actress of the main character with The Weeknd as the abusive manager I think and JENNIE as the friend of the main character. I don't know why Lily-Rose Depp is casted as this music star here since her vocals are so wobbly and it doesn't have the intensity of the song itself. And since The Weeknd and JENNIE are on autopilot, all you can focus on is the productions and the lyrics which are all time clunker for The Weeknd. Musically this sounds intense in the worst way. Why did he go with that synth that only emphasize the danger of the song in the worst ways. And also why this song is very desaturated and drenched in reverb. The lyrics is basically what you got if The Hills was mixed with Earned It but then your average Chris Brown song got into the mix. Maybe it works better with the context of the show but even then I don't want to hear anymore of this. So I guess if there's any contentious song on the list, this is it. Can I just say that I'm uncomfortable with this song and move on? 

2. Even with the resurgence of pop and rap in the mainstream popular music, there's still no denying that country is still the dominant genre here. Even in Global Excl US Chart which specifically forbid USA from their equation, some country songs broke through. Though interestingly the country songs that broke through are country songs not made by Nashville industry machine instead either made by established artists trying out this sound or just non-Nashville artists. Because of this and the success of Morgan Wallen, a lot of artists trying to capitalize on this country boom. Some really doing it well but other times you'll get songs with Jelly Roll in them.

2. Wild Ones by Jessie Murph ft. Jelly Roll

Oh hello again Jessie Murph good to see you're bringing who's fast becoming the most overrated country singer of the decade. Seems like Son of A Sinner was a fluke because since then I have never been impressed by Jelly Roll. Both Need A Favor and Save Me are lousy and I Am Not Okay just missed this list. And the endless lists of collaboration he did particularly Ronnie Radke and MGK really just hurt his chances of me liking the guy. I mean to be fair at least he won't be collaborating with Adam Calhoun again (at least I hope not). But this is probably his worst performance by far. 

Now let's pull back a bit because I do have another bone to pick with Jessie Murph because what the hell is this amateur hour? I still can't believe that this made into the first draft to be honest because her pitchy performance and lyrics about how she got a thing for a wild one got grating real fast. Topped that with the most clunky country trap productions on par with the worst country trap songs by Morgan Wallen and you already got a spot on my worst list. But then Jelly Roll pulling through with probably the worst rap performance of the year...oh yeah he rapped in this one and it's just as badly stilted as it sounds. Now I get why he's not really rapping as much anymore even if he has been on other rapper's songs because again amateur hours. The reason why this didn't topped my worst list is because I genuinely think that this is too amateur for me to put it on the worst list. Plus the comical nature of the songs just making this pure mess at least entertaining. This other song tho...

But before we get to that some dishonorable mentions that just barely missed the year end.

DHM 1. Miles On It by Marshmello ft. Kane Brown

This isn't on the list purely because the destructive legacy of One Thing Right so this is just chasing trends.

DHM 2. Gata Only by FloyyMenor ft. Cris MJ

This becoming the most popular latin song of the year has the same aura as All My Life by Lil Durk became one of the most popular rap songs in 2024. Make of that all you will.

DHM 3. Slow It Down by Benson Boone 

This is just Beautiful Things just 50% better writing and 20% worse singing.

DHM 4. Madonna by Natanael Cano ft. Oscar Maydon

Can we just stop naming your songs with artists name in it. It just showed that you're making songs with SEO analyst with them.

DHM 5. I Don't Wanna Wait by David Guetta & OneRepublic

At this point David Guetta is just making contents not music and I'm not gonna dignified this with a placement on the worst list.

DHM 6. Who by Jimin 

Probably the worst vocal production of the year. The beat's still good though.

DHM 7. I Am Not Okay by Jelly Roll 

Yeah I'm not either Jelly.

1. 2024 was a very turbulent year but especially in the world of politics. One of the global events that happened this month was the martial law that the South Korean now former president? Yoon Suk Yeol. This shortlived martial law showed to the world that even countries as "advance" as South Korea can suddenly backsliding in their democracy. The reason why I brought up South Korean politics at all is because of Yoon Suk Yeol himself. One of his big platforms or policies is to punish feminism from South Korea. Even with their lowest birth rate in the world, South Korea is having a gender war and by that I mean the biggest disparities between men and women in terms of everything. From men mocked and cried about anything that could resembling "attack on men" to women creating a movement that's basically swear off men because that's how dire misogyny is. I'm bringing all of this up because I do think that we have a problem in misogyny even more so than any other year. And we should've seen that big red flag by what the rock station are desperately playing to stay relevant.

1. Truck Bed by HARDY

Ohhh this has been a long time coming. HARDY'S album The Mockingbird & The Crow is one of the worst double album of all time. A badly written and ill conceived concept album about how country music is dead and rock music is where he should be or something like that. Wait In The Truck almost missed my worst list last year, a white knight fantasy that doesn't include the girl's perspective beside that she's helpless with no agency. And with this one there's seems to be no women's voice behind this and instead we hear this guy whine and joked about him being an asshole to his girlfriend. Now before we get to why this song is the worst let's talk about the productions here which is all kinds of shit. The guitar is watery, the percussion doesn't really compute with the rest of the song, and that fucking whistle is enough to put it on the list all together. Like seriously this sounded like what you get if you mixed OneRepublic, Black Keys, and Jason Aldean combined. Did you know that the producer of Nickelback produced this song? Joey Moi is probably the reason why bro country existed in the first place. I'm actually quite stunned by how much he dropped the ball on the heavier portion of the song because it sounded so canned and not remotely rock as hard. 

Oh speaking of that, look I'll admit that when it comes to popular music, you'll be running into misogynistic contents. This is not me trying to be woke of the day that's a straight up facts. Every genres have dabbled in this even the ones that you thought were innocent like pop music (remember Treat You Better?). And as a hip hop fans as well I listened to a lot of misogynistic songs in my past and liked them I'll admit that. But there's need some context and framing that has to work with the songs. I like 90s rap even though a lot of it are misogynistic because the beat is good and everyone seems to be having fun with it. While I hate Love Me by Lil Wayne with a passion because it's gross, over the top, and everyone doesn't seems to have fun. I think similar things are happening here but worse because HARDY really wanna sells you the former and yet it tipped towards the latter. The premise of the song is that HARDY is such an asshole that he always woke up on the truck bed every morning because he's a drunkard. Okay cool so far I mean you could spin that to something that could be interesting, maybe an anti drinking song. Nope, the reason why he's a drunkard is because he hates his girlfriend and decided that to throw this party after she locked the house. You can see that in the music video as well what we saw as the night party getting more and more chaotic and the girl is physically terrified. But the bridge is really what solidified the song on this top spot where he said he put his gun and he wanna shoot the "bird". In this case he's jokingly want to hunt down this girl with a gun. Now maybe it's just my queer self but that's very much not a funny joke. It's one of those jokes that you said with the boys™ on a night out. That really gave the game away, the worst hit song of 2024 is everything that I hate about 2024. Rampant misogyny, make chauvinism, and insecurities masked itself as machismo. 

All I can say right now is thank God we got the best list coming probably January so see you soon there.

Billboard Global Excl US Top 20 Ranking (Fall 2024): Sabrina Carpenter, Linkin Park, LE SSERAFIM, Chappell Roan

 

2024 has been a blast in terms of the chart and pop music as a whole. We have so many events that impacted the chart in a significant matter. Album bombs after album bombs, Kendrick Lamar & Drake beef where Kendrick came out on top as usual, the rise of queer pop from Chappell Roan and even the TikTok hits, Sabrina Carpenter in general having a breakout year, and overall great music just keep flowing in. As a pop music watcher seeing that not only these events are happening outside of my sphere, but also that it drove the pop culture as a whole making 2024 probably one of the best years for pop music this century. 

As time went on though, all things must come to an end and with the leaves turning the color that symbolized decompose, we are now looking at what's replacing these hits. I mean I'm hopeful that it won't be that bonkers because this is the season that you should be for relaxing and- wait Linkin Park just recruited a new lead vocal that might have connection to Scientology making an uproar in the fandom? Megan Thee Stallion collaborating with RM over phonk style melody? And Lady Gaga with Bruno Mars made a comeback with 70s rock throwback?...Welp I guess we just jump straight to it (why this year doesn't want to stop?). Oh and also I am skipping songs that I have talked twice or more than 25 weeks on the chart and also no old songs unless they didn't become a hit in at least 5 countries. I really cannot wait to talk about this week's chart because I do believe that it has gotten better and better. So much so that the lowest rated song here is just mid aka 5/10...and sadly two songs that are on this category are all have BTS members on it.

20. Who by Jimin

Don't get me wrong, this song is only on here due to sheer disappointment. I like Jimin's solo songs quite fondly over the past year or so, especially with Crazy. But Jimin didn't really stand out in terms of the vocal and also the performance. So maybe work with Jon Bellion, the artist that I could say is the Ryan Tedder of the 2010s (he's actually a good producer okay!) maybe that could bring something out of the limited performer Jimin. And...well it's half working. I love the 2000s throwback feels with the guitar and the percussion and I also like the lyrics of the longing for someone but doesn't know her name it's cute. But why does Jon Bellion thought it would be a good idea to mixed the song like ass? Like the vocal is processed to shit and I wouldn't mind that per say. but the production of the song is very teeny and the drum clipped in the mix that the melody got suffocated by the song. It's very unfortunate because there's a seed of a great song in this especially in the 2000s nostalgia circuit. As it is, it's just something that I will forget soon after this song is out of the chart.

19. NEVA PLAY by Megan Thee Stallion ft. RM

I don't know who should I blame for this song being not as good as Mamushi (which yes it is kinda novel but I just love how Megan spoke Japanese (I'm a weeb oh my god)). Is it the production that are half baked with Megan's usual production hang up mixed with that phonk style synth melody that just doesn't go anywhere. Is it RM's vocal production that's very compressed to hell I'm surprised how sloppy it was. Or is it RM's delivery resembling Rich Brian's voice and you just remembered that his last album was released in 2018. Or maybe counting in a rap song will never worked or sounding more like you just ran out of idea for lyrics and went for the lazy route. Whatever it is, it makes this song ranked lower to me than Post Malone and Morgan Wallen's whining session.

18. I Had Some Help by Post Malone ft. Morgan Wallen

Even though the placement here, this song has grown on me a little bit. Part of the reasons why this song just kinda clicked with me is that the melody here has to be one of the best from this year. One thing I would give credit to Louis Bell is always finding great melodies in any genres and this is one of them. Another reason why this kinda works is because of the nature of the song as a duet, this gave me headcanon that they're both are singing to each other not with each other. And seems like a lot of people are taking that headcanon and run with it so I'm just following. It's kinda impressive that this song stayed this long due to sheer power of Post Malone. 

17. UWAIE by Kapo

Most genres will probably have their own evolution of sounds to either a very abrasive or a very chill sounding one. The bops vs the vibes as one hooded piano player have said. And I believe in reggaeton this year, we are seeing the genre becoming more spacious and reverb heavy. It really started with Dakiti and then when both Bad Bunny and Karol G are making any other songs beside reggaeton this year, artists like Cris MJ, Feid, and Kapo capitalized on that by making their songs very airy and perfect to relax to. I definitely prefer the more bombastic reggaeton but these new crop of reggaeton song (apart from the ones from Cris MJ) are cool if you are in the mood for it.

16. A lot of these songs are still good and all but my god I'm sick of this now.

16. Stargazing by Myles Smith

I really thought that this sound was novel enough for me to love it. But no, this song has definitely shrunk on me. After listening to a lot of old folktronica hits, I have come to the conclusion that this song while it's breezy and very easy to listen to, just felt unfinished. I mean yeah sure it has complete structure...somewhat. But what I love about the folktronica at that time is the incorporation of the folk instruments with the drop. Here, the EDM flourishes are just that. I think what might sealed this song as just decent is the fact that this song charted not on the EDM chart, but the rock and alternative chart. Now maybe that sounds a bit innocuous because it's just a chart placement and that's usually being done by the label themselves and genre itself are obsolete nowadays in a democratize streaming era. And in this case that might be true, but I just missed that sound and yeah some of which are nostalgia and I really have to come to terms with that at some point. Anyways this is very half assed and the millennial woop saved this song.

15. Unforeseen circumstances are always occurring especially in life in general. One of which is a death of someone. Someone you know just passed away without you even noticed till it was too late. Speaking from personal experience, it can be very harsh and very bitter pill to swallow for someone you know passed away and you can't really do anything about it. You just there helping the funeral and wondering what's your purpose in life. Now imagine that but with your band mate and not just any band mate, the one that have such distinct voices with lyrics that can cut through your bone and where everyone can relate to. And then after that you replaced your band mate and you know it's gonna be controversial and for that your comeback singles is basically a deflection of a lot of things that the fans might have gripe on...including Chester Bennington estate.

 

15. The Emptiness Machine by Linkin Park

 

Yeah not gonna escaping this one especially after it came out that the replacement for Chester have supported a serial assaulter Matty Matherson (that one have been addressed) and might still have ties with Scientology. And if there's one thing that Linkin Park fans don't like it's probably Scientology especially if they're on the internet during that time. Even Chester Bennington estate have condemned and felt betrayed with the move by Mike Shinoda to hire  Emily Armstrong. Even removing all of that, I know that replacing Chester with anyone will be very tough. Especially when Mike Shinoda have been really shitty to the legacy of the band itself (we still not forgetting you using AI on Lost music video). So did Emily Armstrong at least came close to recapturing Chester here?

Honestly while I do still believe she has a lot to improve especially with the vocal tamber, she performed really well. Granted all I can think of when listening to this song is not Linkin Park, but early Paramore. That really doesn't distract me from liking the song fully. My biggest drawback is the production and instrumentation. I have a best friend who's tapped in to the modern rock scenes and he's always playing songs from Bring Me To Horizon and the resemblance here is kinda uncanny. The structure of lowkey instrumentals then rise to full band without filters is what BMTH are doing. Even though I do love the second chorus with Emily and the rock instrument and some nice melody. It left me kinda empty and maybe that's the intention. But I'm still skeptical about this endeavor. Well let's see the album then.

14. One thing that I haven't mentioned yet about me is my deep obsession with Just Dance the game. Ever since I was like 13 I'm very much hooked with Just Dance games after PewDiePie played it. I have been following the game after that and it's very cool to see some artists that appeared on Just Dance went on to have very successful career. Lizzo made her debut a year after she got featured in Just Dance 2019. There's another artist that I will be talking about that I knew of because Just Dance, but let's talk about the girl that had her song in the game and went on to be one of the biggest artists of our time...

14. Espresso by Sabrina Carpenter 

Till this day it's very crazy that the girl who did Thumbs will be the new pop girlie six years later. But hey that's pop music for you. Anyways she notched four songs on this ranking and I have talked about this song in depth. It's low on here not because of overplay and it shrunk on me, but the newcomers here even the Sabrina Carpenter songs (we'll get to it soon), all of them have been fantastic. For now all I can say is that you know that Nintendo Switch is really popular that it got referenced in one of the biggest pop songs of this year. Though knowing Sabrina she will probably referenced Virtual Boy and make it about I don't know how superficial this guy is. I mean her friend literally pulled out Nintendo DS during like a photoshoot or something (I'm kinda bumped that I can't talk about Band4Band again).

13. You know, even though the summer chart was great and all, I am kinda disappointed that the chart looked like Hot 100 chart. Like this is Global 200 that excluded US all together and most of the songs are also on Hot 100 as well. I'm glad to inform you reader that finally we have a lot of global hits that are actually great and very varied country wise. This is still the lowest ranking one but it's still good nonetheless. 

13. Big Dawgs by Hanumankind ft. Kalmi

It's rare to get any rap songs that came out of Asia that aren't K-pop or some J-rap stuff that can cross over (see Mamushi and Bling-Bang-Bang-Born from this year) to broke through. But because the chart is bonkers right now, we have an Indian rapper who grew up in Texas scored a rap hit in a great rap year. Heck after Not Like Us (which sadly missed this ranking again), this is probably one of the most popular rap song this year. At one point it is the most listened to rap song in the world. Yes the popularity of the song came from Tiktok, but like it's still cool to see  a South Asian rapper broke through. The song itself is good with that buzzy synth and the outro that's basically a chopped n screwed mix (chopped n screwed and Memphis rap are having a great year btw). Yeah his flow is your basic southern rap, but the fact that this is here is just amazing to me. Who knows maybe Rich Brian could get a solo hit of his own again (he just needs to release new music man cmon it's been like five years now). 

12. Kpop has been very weird this year for good and bad reason. Good in a way that there's more experimentation with the sound like hyperpop with aespa, house and drum n bass with NewJeans, and using other dance subgenre like Jersey Club, pluggnb, and even delved into anime music. But the bad cannot be ignored as well like NewJeans basically want to quit because of Heejin getting the boot while South Korea in general are having crisis in gender war. It's very much a futile year for Kpop and you can see on the chart as well. BTS hiatus because of the military conscription really has done damage now than it was last year. Anyways that really left a lot of vacuum that only being filled by some of the most inane and pure slop I think I've ever heard. Anyways here's LE SSERAFIM

12. Crazy by LE SSERAFIM

Okay low blow aside, I do think that some of the people are being too hard of LE SSERAFIM. Yes they're being built under the rubble of GFriend's disbandment. But, to their credit they have done some good song here and there. This is one of them but it could be better. I do think that we are having the Y2K revival that people are talking about especially on TikTok. I haven't really seen the Y2K aesthetic a lot in pop music in the west at least in USA. The fact that people still milking the 80s or disco it's kinda tiring let's be honest here. I think my main hangup from the song is that it's very sporadic and weird for the sake of being weird. NewJeans is still my go to when it comes to Kpop band doing Y2K aesthetic well. What they have done is taking dance subgenres like Jersey Club or Drum n Bass and really put their sheen into it without losing what makes those subgenres special to begin with. With Crazy on the other hand, it's not as tight and also just don't really trying to fit the house sound well with the ethos of LE SSERAFIM whatever that is. I still like the song but yeah the fact that this song is the highest ranking Kpop song this week is telling how weird this year is for the genre.

 

 11. Another genre that were awfully quiet this year is afrobeats. Their South African cousin amapiano were having a better time than afrobeats this year. I really thought that afrobeats might have the same longevity as dancehall was back in the 2000s and even then it wasn't as barren as this year. There's one exception to that rule and even then it's kinda all over the place.

11. Move by Adam Port, Stryv & Malachii

If there's one thing I love about Global Excl US chart is the dynamic of the chart being replaced from US to European, Asia, and Canada. What this mean is that oddities that charted on Europe and Asia will somehow charted and charted big. Like this song for example which is a mix between afrobeats from Malachii and melodic house from Adam Port and Stryv. I do love the sound that these two make with the chill vibe that's definitely a perfect for summer to fall transitional period. It's only here because it kinda end abruptly, the percussion can be louder than the melody, and that hook is kinda annoying. Still this song is something I would love to listen to while on the beach drinking wine to.

10. It's still kinda wild that it has been three years since Bruno Mars released a new album (with Silk Sonic) and even wild that Chromatica was four years ago. I know they both have either tour or film to content to, but it's kinda weird how their absence are not talked enough. Even when they collaborated and making 70s rock it didn't leave much impact

10. Die With A Smile by Lady Gaga & Bruno Mars

This was so close to be great that it's frustrating. Lady Gaga loves the theatrical and the old glamour of 70s while Bruno is the pastiche merchant. So this should work like ease, but it really didn't panned out that way. I think my real issue with this song is how basic it is? Yeah it sounded great with the lush instrument and very much dignified productions. That guitar solo before the last chorus was perfect. And the lyrics is cool essentially If The World Was Ending but less juvenile. But I don't know because most of the 70s rock I love have more complexity and details that you won't hear it the first time you listen to it but it added to the replayability of songs that you wanna keep coming back to. With this song it didn't happened for me at least. After I listened to it a couple of times, I already got what I want and was satisfied with it...and that's it. Sure I would love to listen to this on the radio, but I probably won't seek it out that much. But when it hit, oh yeah it really hitting.

9. Last year, one of the worst hit songs that came out of the uneventful 2023 is Thinkin' Bout Me by Morgan Wallen. What made that song very revolting is how Morgan Wallen seems to don't get over the relationship while she did. And because Drake was big last year and also he had that co-sign, he stalked the girl and even if he didn't stalked her, he concern trolled her that you swear that you were listening to that one manosphere podcast ranting about how women are the problem. However if you are like those guys you have one question "would you think that it's better when the POV is switched?" And my answer is a resounding maybe...

9. Taste by Sabrina Carpenter

Look it might be hypocritical of me that I prefer this type of shitty behavior versus others if the gender was flipped. But I do think the reason why I don't mind Taste and still angry at Thinkin Bout Me is probably because of the artist themselves. This is what I do like about music as a medium because the way you sing it or the way you wrote the song can be tied to your personality and how you live. Thinkin' Bout Me didn't worked because of how Morgan Wallen acted like a jackass and you believe him because of what he had done on the record and off the record. Meanwhile Sabrina Carpenter whole personality is being goofy girl that could be your friends. Because of that, her talking about how her ex will taste her when he kissed another girl you would think it's jokey. The bridge also really solidified the point that yes she didn't really meant it as serious but she still might have some feelings towards the ex. Also the fact that the production here isn't desaturated trap country. In the end though I still think that it can be very icky when you believe this whether you are a guy or a girl. And I do think this can shrink on me. But for now, I do like this song...but it isn't my favorite from that album. 

8. Si Antes te Hubiera Conocido by Karol G

Karol G is just a great artist isn't she? Like sure you have ROSALIA and maybe Bad Bunny that might have better albums, but Karol G is I think the most consistent out of all of them. Even with her recent experiment with other genres like cumbia or this one with merengue, She really has her way to be fitted in the song effortlessly. This song is a ton of fun especially with the party vibe in the last chorus. Even if the lyrics is kinda pathetic and basically Jealous by Nick Jonas, the light-hearted nature of the song really just make this song a ton of fun. Another banger from Karol G and as always screw Anual AA...Did you know he's a Trump supporter now? Yeah figured.

7. Please Please Please by Sabrina Carpenter

So this song didn't grew on me nor does it shrink on me. I think the fact that it's a very steady and moving song that I don't really have any new observation of the song that will increase or decrease the enjoyment of the song. I guess one observation that I could get about the song that's new is how very paranoid Sabrina is on the song. Like the fact that she begged her partner to tell everyone that whenever he acted out in a different way that he should tell her friends that it's just her culture. It's that kind of self awareness that can be annoying from her but eh still not gonna make me hate this one immediately so yeah.

6. 2014-15 was like the middle of the end of the blog era for pop music and during those times, there were some people that making music that based on the internet culture as a whole. One of which was Vaporware which is a genre of music with a certain kinds of aesthetic that heavily inspired by city pop and just late 80s neon lights settings. People were very confused about the concept with the aesthetic or how the songs sounded like a mix between indie, 80s synthwave, and post irony of Gen Z at the time. People really thought that it was a joke and yet that kind of aesthetic is still there but more widespread till the point that it's just an 80s nostalgia. Maybe that's why what A.G. Cook and SOPHIE (rest in love) were doing was kinda out of the blue and again making people at the time confused. Like pop music that was pushed to the absolute limit of artificiality and bubblegum was such an alien concept even during the beginning of poptimism era. People back then called these type of music as PC Music (also the name of A.G. Cook label) because it's something that could only be created with the help of the internet. Now imagine telling those guys that the girl that made a soundtrack hit for a John Green film adaptation would teamed up with A.G. Cook and his protege to make these type of song and make it popular enough that it was referenced by Democrats as part of the campaign? Oh also don't forget to tell them that the Apprentice guy also gonna be the President as well.

6. Guess (Remix) by Charli XCX ft. Billie Eilish

It's still surreal to me as someone who have listened to hyperpop since Charli worked with SOPHIE seeing Brat, an album that was a culmination of Charli's journey into pop as a whole, became one of the most popular albums of the year. I knew that hyperpop might be the sound of the future but the fact that not only this one debuted at the top 10 of the chart, but now there are a lot of acts that wanna try out these type of sounds (I can think of some kpop acts that trying to emulate the sound). Now this isn't really fully hyperpop, as a matter of fact it's straight forward French House song with some hyperpop elements to it. And bringing in Billie Eilish after her own successful album was the correct move especially with her own house experiment on La A'mour De La Vie which is probably my favorite of the album. Billie brings some swagger on the song which is about well underwear. Love the banter with this two especially when Billie said "Charli likes boys but she knows I can hit it". God what a great year for queer pop and all we need is Kanye West sacrifical #1 to just woke people up to actual good music. 

5. BIRDS OF A FEATHER - Billie Eilish

Oh speaking of Billie. It's another baffling thing that this lowkey of an album will probably have more hits than her two previous albums. I thought that it would do like Happier Than Ever number based on early numbers but nope. I'm glad though because Hit Me Hard and Soft is probably my favorite Billie album. It has everything that I love about her two previous albums but with more personal and sometimes intimate storytelling that sometimes I could relate hard. Chihiro is actually gotten better for me as the theme of mystery and how someone's changed does resonate with me. This song also has gotten better especially with how I can feel Billie's frustration with her love ones but trying to feel optimistic about it. Even at rock bottom you have to be optimistic.

4. A Bar Song (Tipsy) by Shaboozey

Yup the best song on last ranking is now at #4. If it's not a sign that this season is awesome, I don't know what is. Just like Birds of a Feather, this song didn't grew on me or shrunk on me. But like the last entry, I feel like I have made one more observation from the song. Seems like the recession pop that we got in 2008-2012 is back but in the country form. There are some country songs from that era that touched on the topic of the hardship in a "mature way". Songs like Need You Now is a prime example of that tackling the topic of alcoholism. But with this song, the front and center topic of the song is that this working class guy going to a bar to have a good time while he has no way of getting himself up from the 9 to 5 jobs. This is definitely a new territory for recession pop to tackle and I can't wait to hear more of this. 

3. Short n' Sweet was a good pop album but I'm glad that they made the one about calling sex a "bed chem" a hit from that album.

3. Bed Chem by Sabrina Carpenter

You guys remember Versace on the Floor by Bruno Mars? Yeah this is like the cheeky more unserious sister of that song and it's still awesome. This song just oozed with glamous while also being ridiculous as fuck. Which is perfect because she's doing 90s RnB with a sheen of TRL teen pop with that twinkling keys, the liquid guitar, and again how goofy this song is. And yet, this song is kinda hot as hell especially because of Sabrina's performance here. It's just a perfect combo of tounge and cheek with a hint of sensuality. I don't really have much to say really this song is great y'all should listen to it.

2. As a music enjoyer, you will always have a hipster moment where you listen to a musical act and a few years later, that artist will reached their popularity in like a few years later. It happened to me with Twenty One Pilots, it happened to me with Lizzo, and in our big 2024, it happened to Sevdaliza.

2. Alibi by Sevdaliza, Pabllo Vittar, & Yseult

I have to come clean with myself, I really love Just Dance game series. I just love how this game just bringing people together and also to me at awe on how these dancers are dancing with heels. Now in Just Dance 2022, there are two artists that were prominent on the game. Both are Pabllo Vittar (Flash Pose and Sua Cara) and Sevdaliza (Human). Three of these songs are a hit especially Human being a contemporary experiment. Now flash forward to now and they're both collaborating with a French singer Yseult to create a song based on a Colombian song called Toto la Momposina. The fact that this song charted for a month on Hot 100 is still baffling because it was sung in English, Portuguese, Spanish, and French. The song is a mixed between reggaeton and Brazilian funk with the emphasis of how dangerous it is to hook up or having a great time in this club or place. But with the power of TikTok, this song became a worldwide smash and that fact is also amazing. Because this song is queer as fuck and not to mentioned Pabllo Vittar being here. I heard that Pabllo has been a punching back in Brazil so I'm glad he can broke through with this song even if Sua Cara was a bit of a massive hit. 

1. Well I did highlight this song last time out but the fact that Chappell Roan is like the biggest artist right now is insane.

1. Good Luck, Babe! by Chappell Roan

I only knew Chappell Roan because Mark from Spectrum Pulse put two songs on his best list (those two songs became a minor hit in their own right) and I was thinking "she's definitely has a potential but she might have the same success as MUNA". Now skip to the time of writing this election day 2024 and not only has Chappell Roan became a phenomenon of the year, she also brings some baggage that I do wanna touch upon, how fame is handled by celebrities. For decades now, when you become like a pop divas you have to expect a lot of scrutiny by people who trying to control you. What would you do in this situation? Well you might wanna do media training and god forbid if you wanna try to have emotional response towards critics you'd be branded as "not ready" for fame. I always called that bullshit and I'm so glad that Chappell Roan agreed with me on this. I hate it when people said that she isn't ready for fame because of what she has done to protect herself from parasocialism and paparazzi. When you consider that yeah her songs really are prime for pop fame and this is one of them.

I still can't believe that lesbianism in pop was relegated to either flirtation or just fetishization. With the new crop of songs from sapphics women they felt more real and also really well put together. You got Lunch by Billie Eilish where it's explicitly about she wanna eat her out and not in a cannibalistic way. Boyfriend by Dove Cameron about this girl having the chance of living out her wlw dreams after her crush was alone without her boyfriend. And now this a song about comphet and it's as tragic as you like it to be. This is definitely one of the most important songs to came out this decade and I hope that her impact will inspired more people to make art that felt like themselves.

That was our fall ranking and I have to say that 2024 has been a wonderful year for pop music and definitely needed especially what happened at the time I'm writing this. List season is definitely coming up soon and yes I will make a proper worst list this time out. In the meantime see you all on the worst list.